Creatives

Andrew Lloyd Webber has composed the scores of some of the world’s most famous musicals. Lloyd Webber has had shows running continually in the West End for 50 years and on Broadway for 43. 

When Sunset Boulevard joined School of Rock, CATS, and The Phantom of the Opera he equalled Rodgers & Hammerstein’s record of four shows running simultaneously on Broadway. He is one of the select group of artists with EGOT status, having received Emmy, Grammy, Oscar, and Tony Awards.  

Lloyd Webber owns six London theatres including the iconic London Palladium and Theatre Royal, Drury Lane. Reopened in July 2021, the latter was completely restored and renovated at a cost of over £60 million. It was one of the biggest projects ever undertaken by a private theatre owner in recent times. His mantra is that every penny of profit made from his theatres is ploughed back into the buildings.  

Lloyd Webber is passionate about the importance of musical education and diversity in the arts. The Andrew Lloyd Webber Foundation provides 30 performing arts scholarships every year for talented students with financial need and supports a range of projects such as the Music In Secondary School Trust and commissioning research into diversity in theatre.  

Andrew Lloyd Webber has composed anthems for the 1978 World Cup in Argentina and for two Olympic ceremonies, including “Amigos Para Siempre”, the official song of the 1992 summer games in Barcelona. He wrote “Let Us Love In Peace” for the concert on Ground Zero in the aftermath of the attacks on The World Trade Center. And he has been honoured to have been asked to compose for many royal occasions, the most recent being the anthem “Make a Joyful Noise” for the Coronation of King Charles III.  

Andrew Lloyd Webber was knighted in 1992, created an honorary life peer in 1997, and made a Knight Companion of the Most Noble Order of the Garter by King Charles III in 2024. 

Bill Deamer is one of Britain’s leading choreographers and directors.  
  
He started his career when, employed as lead dancer in a production of Cabaret in the West End (choreographed and directed by his mentor and lifelong friend Dame Gillian Lynne OBE), he was offered the opportunity to choreograph his own version of Cabaret at Salisbury Playhouse. From there he has never looked back. He was reunited with Gillian Lynne when he was invited by Sir Andrew Lloyd Webber and Sir Trevor Nunn to create the new tap choreography for the critically acclaimed revival of CATS at The London Palladium in 2014 (which has subsequently run worldwide)  
  
Notable Theatre productions include: Hello Dolly (London Palladium); 42nd Street - (Sadler's Wells, UK and international tour); The Corn is Green – (National Theatre); the critically acclaimed Follies – For which Bill was nominated for the Olivier award for Best Choreographer (National Theatre); The Osmonds - A New Musical (UK Tour); The Boy Friend (Menier Chocolate Factory); Top Hat- For which Bill won the Olivier Award for Best Choreographer (Aldwych Theatre).The show went on to enjoy two acclaimed productions in Tokyo with both a British and a Japanese company; Sondheim on Sondheim (The Royal Festival Hall); The 50th Anniversary UK tour of The Sound of Music and Evita (Dominion Theatre); Saturday Night Fever (West End /UK Tour & Tokyo).    

  
Bill is also a very successful choreographer for film and television – recent credits include: Christmas Carole for SKY Television; The Real Full Monty; So You Think You Can Dance; ITV’s All Star Musicals and the hit BBC series Strictly Come Dancing, where he continues to contribute featured group professional routines, show dances and Charleston’s.   

Throughout his career Bill has also become an expert on Fred Astaire, one of his dance idols. He directed and choreographed the first- ever tribute to Fred at The London Palladium and has appeared in ITV Perspectives programme For the Love of Fred Astaire.  

As well as producing three of the world’s longest running musicals – Les Misérables, The Phantom of the Opera and CATS – his legendary productions also include Miss Saigon, Oliver!, Mary Poppins (co-produced with Disney), Side By Side By Sondheim, Little Shop of Horrors, The Witches of Eastwick and Five Guys Named Moe. He has produced several hugely acclaimed revivals of My Fair Lady, Oklahoma! and Carousel as well as reinventing long running new productions of Les Misérables, Miss Saigon, The Phantom of the Opera and Oliver! Cameron recently presented the joyous Sondheim musical celebration Old Friends in the West End (with a terrific cast headed by legends Bernadette Peters and Lea Salonga) that will arrive on Broadway in spring next year. Cameron is co-producer with Jeffrey Seller of Hamilton in London and on tour in the UK. 

In 2012, alongside Working Title Films and Universal, Cameron produced the hugely successful Oscar®, Golden Globe and BAFTA award-winning film adaptation of “Les Misérables”, which is one of the most successful movies ever of an original stage musical. To celebrate over 10 years since its release, the movie has been remixed and recently re-released in full Dolby Atmos and Dolby Vision in selected cinemas around the world, as well as a new home vision 4K Blu-ray disc and iTunes download version of the film. The staged concert version of “Les Misérables” has proved to be just as successful as the original musical and is returning this autumn to stadiums and stages around the world in a much anticipated spectacular arena tour – which is already mostly sold out in the UK.  

The concert version of “Les Misérables” has been filmed three times – at the Royal Albert Hall, the O2 Arena and the Gielgud Theatre – and is continually rescreened on TV and in cinemas throughout the world and, alongside his spectacular Royal Albert Hall production of “The Phantom of the Opera”, regularly breaks attendance records for live recording performances of musical theatre.

Cameron owns and operates eight historic London theatres, which have all been spectacularly rebuilt and refurbished for the 21st century. They house many of London’s most successful hits. The Sondheim, formerly known as the Queen’s, now has a glorious auditorium and backstage and has been renamed in honour of Cameron’s great friend, theatrical legend Stephen Sondheim, who passed away in 2021. The last show he and Cameron were working on, Old Friends, had an all-star gala premiere at the Sondheim Theatre in 2022 and was later screened on BBC TV. In 1990, Cameron inaugurated the Chair of Contemporary Theatre at St Catherine’s College in Oxford University, with Stephen Sondheim as his visiting professor. The current Professor is world-renowned director, Gregory Doran. Music Theatre International, one of the world’s oldest and largest libraries of secondary rights of the greatest musicals ever written, is now one of Cameron’s companies. Cameron was knighted in the 1996 New Year’s Honours for his services to British theatre and in June 2023, was awarded the Freedom of the City of London. He is the first British producer ever to be elected to Broadway’s Theater Hall of Fame. 

Chrissie appeared in the original west end casts of Billy, Irene, Evita, Barnum and Blondel and in variety at the London Palladium and Victoria Palace. Television includes The One and Only Phyllis Dixey, There’s Something Wrong in Paradise, The Stanley Baxter Show, The Morecambe and Wise Show and The Good Old Days. She appears in The Great Muppet Caper, Lassiter, Indiana Jones and The Temple of Doom and Mama Mia! Here We Go Again. Chrissie staged and choreographed the original West End productions of The Secret Diary of Adrian Mole, Sherlock Holmes The Musical and the London premiere of Mack and Mabel. She choreographed The Entertainer, Devil’s Virtuoso, Annie, The Card, On The Twentieth Century, Witches of Eastwick and the musical staging for the Showbizpops Orchestra’s concert tour of The Music of Andrew Lloyd Webber. For television she choreographed Kiss Me Kate, Alas Smith and Jones and Hit Dancing. As associate director and choreographer - the London, New York and Australian productions of Five Guys Named Moe, worldwide productions of Cats and as associate choreographer, the London and Broadway productions of The Phantom Of The Opera. She was associate to Gillian Lynne on The Likes of Us, Brick by Bricusse and Dear World; was children’s director on Mary Poppins and resident director on Cats, Joseph and His Amazing Technicolour Dreamcoat, Sister Act and Wizard of Oz. Chrissie directed To Gillie With Love at the Gillian Lynne Theatre and was movement director on The Private Ear and The Public Eye and Birdsong for the Original Theatre Company. She is an Honorary Associate of the Royal Academy of Music where she has staged many productions including This is The Hour – a celebration of the music of Claude-Michel Schönberg. 

Dane trained at Shena Simon/City College Manchester and the Urdang Academy Covent Garden London. Upon graduation, he joined the UK Tour of Seven Brides for Seven Brothers, followed by the UK and International Tour of Chitty Chitty Bang Bang, choreographed by Gillian Lynne. 

He made his West End debut in the award-winning production of La Cage aux Folles, creating the role of the moody drag queen/cagelle Angelique. He was also involved with the Broadway workshop, including all the publicity for the New York run and the US Tour. Dane was then cast as Swing in the European Tent Tour of Cats, beginning his long association with the show, understudying and playing Mr. Mistoffelees, Mungojerrie, Skimbleshanks, and the majority of the ensemble roles. 

Upon his return to England, he joined the UK and International Tour of Cats, which led him to be part of the Original West End Revival at The London Palladium—getting to work alongside the Original Creative Team of Andrew Lloyd Webber, Trevor Nunn, and Gillian Lynne. Dane was then asked to audition for the role of Neleus in Disney’s Mary Poppins and spent six months in the show in Vienna. 

The day he left Vienna, he flew straight to his hometown and rejoined the Cats Tour once again. Dane has been involved with Cats now for 14 years, and it has taken him around the world and to over 100 cities—from Athens to Amsterdam and Dubai to Hong Kong. 

Dane became the Resident Director in 2018 for the Taiwan Tour. Since then, he has helped re-stage the show with Chrissie Cartwright on numerous occasions and looked after productions in China, Europe, Taiwan, Manila, and Singapore. 

Theatre credits include: Back to the Future The Musical, Grease, Elf, Time Traveller’s Wife, Into the Woods, Waitress, Only Fools & Horses, Magic Mike Live, Matilda (Adult casting), 42nd Street, Bat Out of Hell, 5 Guys Named Moe, Ghost, Our House (West End); Mamma Mia! (Worldwide); Mamma Mia! The Party; Sweet Charity (Donmar); Groundhog Day, Jekyll & Hyde (Old Vic); Sinatra, Bhangra Nation (Birmingham Rep); Chicago, Shrek, Grease, Priscilla Queen of the Desert, Mrs Henderson Presents, Fat Friends, The Commitments (UK Tour); Man of La Mancha, Chess, Carousel, Sunset Boulevard, Sweeney Todd, On the Town, Kismet (English National Opera); Evita, Jesus Christ Superstar, Hello Dolly, Crazy for You (Regent’s Park Open Air Theatre); My Fair Lady, Oklahoma, Kiss Me Kate, West Side Story, On the Town (BBC Proms/John Wilson); Guys & Dolls, My Fair Lady, A Chorus Line, Ain’t Misbehavin’, Oliver, Sweet Charity (Crucible Theatre, Sheffield); My Fair Lady, Candide, 42nd Street, Singing in the Rain. Kiss Me Kate (Chatelet, Paris); The Beggars Opera (Theatre des Bouffes du Nord, Paris); Guys and Dolls (Theatre Marigny, Paris); A Funny Thing Happened On The Way To The Forum, Hello, Dolly! (Theatre de Lido, Paris).  

  For Andrew Lloyd Webber: The Likes of Us, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, By Jeeves, Evita, Tell Me on a Sunday, Cats, Starlight Express, The Phantom of the Opera, Aspects of Love, Sunset Boulevard, Whistle Down the Wind, The Beautiful Game, Bombay Dreams, The Woman in White, The Sound of Music, Love Never Dies, The Wizard of Oz, Stephen Ward, School of Rock, Unmasked, Cinderella. 

  Film credits include: Musical Ensemble Casting: "Matilda", "Greatest Days", "Mamma Mia! Here We Go Again", "Beauty & The Beast", "Aladdin", "Mamma Mia!"; UK Dancer Casting: "Mary Poppins Returns", "Nine"; Casting Director: "The Phantom of the Opera". 

Television credits include: "Rodgers & Hammerstein 80th Anniversary Concert", "Mamma Mia! I Have a Dream" (ITV), "Sound of Music Live" (2016 BAFTA Award), "Superstar", "Over the Rainbow", "I’d Do Anything", "Any Dream Will Do", "How To Solve A Problem Like Maria" (2007 Emmy Award), "Kombat Opera Presents…" (2008 Golden Rose Montreux Award), "Hollyoaks", "West End Star" (TV3 Sweden). 

Awards include: Casting Directors Guild Award for Best Musical Casting 2022 (Back to the Future The Musical). 

David is proud to be Associate Artist at the Old Vic, Trustee of Watermill Theatre, Newbury, Trustee of Council of Dance, Drama and Musical Theatre, and Vice President of Arts Educational School. 

David Ian has presented theatre shows all over the world. He is the recipient of five Olivier awards and four Tony nominations. David is Chief Executive Officer of Crossroads Live Group.  

His credits include: Grease, Saturday Night Fever, The King and I, West Side Story, Singin’ in the Rain, Ain’t Misbehavin’, Anything Goes, The Producers, Defending the Caveman, Guys and Dolls, Daisy Pulls it Off, The Sound of Music, La Cage aux Folles, Sweet Charity, Flashdance, Gypsy, The Shawshank Redemption, The Phantom of the Opera (Las Vegas), My Fair Lady, Evita, Chess, The Rocky Horror Show, Cats, Dr Dolittle, Starlight Express, Seminar, Steel Magnolias, Ghost the Musical, Priscilla Queen of the Desert, The Bodyguard, Jersey Boys, Annie, Xanadu, Show Boat, The Secret Diary of Adrian Mole, Sunset Boulevard, Scrooge, Quartet, Benidorm Live, Magic Mike Live, Waitress, School of Rock, The Drifters Girl, 42^nd Street, Jesus Christ Superstar, Love Never Dies, Chitty Chitty Bang Bang and Mean Girls. 

Graham is a Musical Supervisor for Cameron Mackintosh Ltd. He is currently the Musical Supervisor for Oliver! - Chichester Festival Theatre (also conductor) & Starlight Express - 30th Anniversary Production in Bochum, Germany. 

 Previous Musical Supervisor credits include Mary Poppins - London (also conductor) & Tokyo, Japan, Les Misérables - South Korea, Holland & Belgian Tour, UK Tour & Mexico, Oliver! - Tokyo, Japan, Half A Sixpence - Chichester Festival & Noel Coward Theatre, London (also conductor), Stephen Ward - Sydmonton Festival & Aldwych Theatre, London (also conductor), The Wizard Of Oz (also vocal & dance arrangements) - Toronto & North American Tour & Cats - South Korea, UK & International Tour, Vienna, London Palladium (also conductor), Paris (also conductor) and UK Tour. Graham is also the orchestral arranger for all aforementioned Cats productions, the recent Broadway revival, Japanese & Australian productions & the North American touring production. 

Musical Director & Conductor credits include: Les Misérables - UK Tour, The Wizard Of Oz - London Palladium, Oliver! - Theatre Royal, Drury Lane, Les Misérables - Queens Theatre, London, Starlight Express - Germany & 1st National UK Tour & Cats - 25th Anniversary UK Tour & Hamburg, Germany (Assistant Musical Director). 

Other theatre credits include: Starlight Express - North American Tour (Music Associate), Saturday Night Fever - North American Tour & Las Vegas (Music Associate), Wayward Women - Honor Blackman’s one-woman show (Musical Director & Pianist), Starlight Express - 2nd National UK Tour and the 2002 & 2008 German productions (Music Associate). 

Recordings: "I Am Me" (from Starlight Express) - Original 2023 Recording (Musical Supervisor), "Cats" - Original 2021 Vienna Cast Recording (Musical Supervisor & Orchestral Arranger), "Mary Poppins" - Original 2020 London Cast Recording (Musical Supervisor & Conductor), "Memory" (from Cats) - Original Motion Picture Soundtrack performed by Jennifer Hudson (Conductor), "Cats" - Original 2019 Japanese Cast Recording (Orchestral Arranger), "Half A Sixpence" - Original 2016 London Cast Recording (Musical Supervisor & Conductor), "Memory" (from Cats) - performed by Nicole Scherzinger (Musical Supervisor & Conductor), "Stephen Ward" - Original 2013 London Cast Recording (Musical Supervisor & Conductor), "The Wizard Of Oz" - Original 2011 London Cast Recording (Musical Director & Conductor), "Oliver!" - Original 2009 London Cast Recording (Musical Director & Conductor), "Starlight Express" - 2002 German Cast Recording (Musical Director & Conductor). "Love Never Dies" - DVD additional orchestral sessions (Conductor). 

TV and Radio: "Cameron Mackintosh: The First 50 Years" (Sky Arts), "Ant & Dec Saturday Night Takeaway" (ITV), "Kipps" (Sky Arts), "The Royal Variety Show" (BBC & ITV), "The Olivier Awards" (BBC & ITV), "Children In Need" (BBC), "The One Show" (BBC), "I Dreamed A Dream: The Susan Boyle Story" (ITV), "This Morning" (ITV), "The Alan Titchmarsh Show" (ITV) and "The Passions of Girls Aloud" (ITV). "The Graham Norton Show", "Elaine Paige On Sunday" and "Wogan" (BBC Radio 2). 

Awards: BritishTheatre.com Best Musical Director (2014)

Greg started work over 40 years ago in British repertory theatre and has since worked on many productions worldwide, both as a sound designer and engineer. Specialising mainly in large-scale musical theatre and arena productions, touring shows all over the world. 

 Greg’s sound design credits have included: Sister Act, Cats, Sweeney Todd, A Christmas Carol, Gypsy, Little Shop of Horrors, 42^nd Street, Chess, Barnum, Song and Dance, A Chorus Line, South Pacific and Oklahoma!. He designed the sound for the UK premieres of Carmen Jones, the only stage adaptation of the film “Some Like It Hot” with Tommy Steele, and the Liverpool Oratorio for Paul McCartney. Greg is currently the associate designer for the new world tour of Beauty & the Beast. 

For the London stage, his designs include: CATS, Singin’ in the Rain, Jekyll and Fiddler on the Roof with Topol. On the international stage, he designed the sound for the New Zealand tour of Chess with Murray Head and Tommy Körberg, and Barnum in Hong Kong. As well as a designer, he has been sound supervisor for the tours of Martin Guerre, Doctor Dolittle, Jesus Christ Superstar and The Lion King; production sound engineer for shows including: My Fair Lady, HMS Pinafore, The Pirates of Penzance, Aspects of Love, Sunset Boulevard, Copacabana, La Cage aux Folles, Can-Can, Jesus Christ Superstar; Jesus Christ Superstar on Broadway; productions of The Phantom of the Opera in Antwerp, Korea and Madrid; and the world tour of Mamma Mia! 

Lewis trained at the Guildhall School of Music and Drama (Classical Piano) and the Royal Academy of Music (Musical Direction & Coaching), where he received the DipRAM award and was supported by Help Musicians UK (Lesley Hayes Musical Direction award).  

Credits as Musical Director include: The Boy Who Sailed the Ocean in an Armchair (National Youth Music Theatre), The Light in the Piazza (Royal Academy of Music), Maison Mac: A New Musical Thriller (workshop) We Aren’t Kids Anymore (Norwich Theatre - workshop), Timpson: The Musical (UK Tour), Between - a new musical (Guildhall School of Music and Drama)  

Credits as Associate/Assistant Musical Director include: Guys and Dolls (Bridge Theatre), Hello, Jerry! (Royal Academy of Music), Henrietta (National Youth Music Theatre - workshop), Growl (National Youth Music Theatre)  

Credits as Cover Conductor include: South Pacific (UK Tour)  

Recording credits include: “Guys and Dolls” London 2023 Cast Recording (Piano/Keyboard 1), “Maison Mac: A New Musical Thriller” (Piano), “Between – a new musical” (Musical Director/Conductor)  

Teaching credits include: National Youth Music Theatre, ArtsEd and Vivo D’Arte School of Theatre Arts.  

Peter was Musical Director for the most recent European / Scandinavian tour of CATS. He was Associate Musical Supervisor for a new production of the show in Vienna and the international tour which opened in Shanghai in 2019 and was also Musical Associate on the new Universal / Working Title movie version.  

He was Musical Director for CATS in South Korea in 2020 / 21, and Taipei in 2022. Peter was the Musical Director / Supervisor for To Gillie, With Love - a celebration of the life and career of Dame Gillian Lynne. Peter was Musical Director for the new Royal Shakespeare Company production of A Christmas Carol. He was Associate MD for the West End production of Show Boat (Gillian Lynne Theatre) and MD for Tell Me On A Sunday with Jodie Prenger. 

 In the West End he has conducted The Sound of Music  (Palladium), CATS, Mack & Mabel, Kiss of the Spiderwoman, and was Associate MD on South Pacific (Barbican), Road Show (Menier Chocolate Factory) and Love Story (Duchess).  

 He was Musical Director on Les Miserables and CATS (UK and International Tours). He was Assistant MD on NT50 (National Theatre), 42nd Street and Oklahoma (Chichester) and The Sound of Music and Seven Brides for Seven Brothers (Regent's Park). He was Musical Director and Arranger for Bells are Ringing (Union Theatre, London).   

Peter has appeared on ITV's Pop Star to Opera Star and was the conductor for Channel 4's Our Gay Wedding The Musical. He composed original music for Waxing Lyrical by Judith Paris and directed by Gillian Lynne. 

Peter is a graduate of The Royal Academy of Music, London. 

Simon Gooding is one of the UK's most prolific production managers with a career spanning over 40 years. SGPM Ltd and GJPM Ltd provide Production Management services around the globe to both touring and residential theatre productions. 

Recent credits include: Chicago – International tour, Chitty Chitty Bang Bang – UK tour, Jesus Christ Superstar – UK tour, Love Never Dies – China tour, 42nd Street – UK tour and Canada, Joseph and the Amazing Technicolor Dreamcoat – Australia tour, Sister Act – UK tour and West End, Waitress – UK tour, The School of Rock – UK tour, Pretty Woman – West End and UK tour, Beautiful – UK tour, White Christmas – West End, Joseph and the Amazing Technicolor Dreamcoat – West End and UK tour, On Your Feet – UK tour and West End, The Rocky Horror Show – UK and International tour, White Christmas – West End and UK tour, Magic Mike – West End, Benidorm Live – UK tour, An Officer and a Gentleman – UK tour, Cats – International tour, Evita – International tour, Sunset Boulevard – UK tour, Annie – West End, Toronto and UK tour, Crazy for You – UK tour, Grease – UK tour, Nativity – UK tour, Sister Act – UK tour, Funny Girl – UK tour, to name but a few. 

Stephen studied at the Royal College of Music London and has been Musical Director/Musical Supervisor for an extensive range of both West End and touring theatre productions. 

 Theatre includes: Les Misérables, Miss Saigon, Cats, Stepping Out, Bat Boy, Jesus Christ Superstar, Fiddler on the Roof, The Pirates of Penzance, Barnum, Talent, Evita, My Fair Lady, Hello, Dolly! and Seven Brides for Seven Brothers. 

Concerts include: "The Magic of the Musicals", starring Marti Webb; "Tell Me on a Sunday" and numerous "Best of the West End" concerts in the UK and Europe. Stephen co-produced and conducted sell-out performances of "Jesus Christ Superstar - the Concert", "The Magical West End" and "The Music of ALW" (the National Concert Hall, Dublin), with the RTÉ Concert Orchestra. He has been musical director to several international artists, including Charles Aznavour, with whom he recorded several albums and toured worldwide.  

 Stephen now devotes all his time managing Musicians UK Ltd, one of the country’s foremost orchestral management companies.  

 London productions include: 42^nd St. Chicago, Waitress, Mamma Mia the Party ! Annie, The Bodyguard, Elf the Musical, Cats, Flashdance, Monty Python’s Spamalot, Grease, Only an Octave Apart, The Sound of Music, The Producers, Saturday Night Fever, By Jeeves,  Bat Boy, Stepping Out.  

 UK & International tours include: Chitty Chitty Bang Bang, Waitress, School of Rock, 42^nd St. Greatest Days, Officer & a Gentleman, Sunset Boulevard, Annie,  Cats, Evita, The Bodyguard, Nativity, The Wedding Singer, Chicago, Priscilla Queen of the Desert, Ghost, Les Misérables, The Phantom of the Opera, Miss Saigon, Kiss Me Kate, The Wizard of Oz, The Producers, Flashdance, Starlight Express, The Sound of Music, Grease, Peter Pan, Saturday Night Fever, Bat Boy, Beauty and the Beast, Singin’ in the Rain, West Side Story, Doctor Dolittle, Oliver!, Black Goes With Everything, Jesus Christ Superstar,  My Fair Lady, Fiddler on the Roof, Hello Dolly! and The Pirates of Penzance. 

The Really Useful Group is wholly owned by Andrew Lloyd Webber and exists to produce, licence and promote his shows and music around the globe, including some of the world’s longest running and most successful musicals including The Phantom of the Opera, CATS, Jesus Christ Superstar, Evita, Sunset Boulevard and School of Rock – The Musical. The Really Useful Group works across theatre, film and television, producing and developing new projects and partnerships worldwide, alongside ongoing work in education, amateur licensing and music publishing. Each year, across markets in every corner of the world, The Really Useful Group’s content reaches and is shared by hundreds of millions of people.